Am I the only one that likes Björk?

Björk is an acquired taste, and her music is very concept driven. I think that Björk has a perfect balance on how music is typically sold to us and how Art is presented to us. When you look at her album covers for example (which are a footnote compared to her overall achievements) every cover tells a story. Björk wanted her ‘debut album’ to personify her as a vulnerable girl coming into the dangerous industry of music, ‘Post’ was supposed to represent her break into fame with this girl being lost in the sea of fame where it is almost nauseating. Then you look at covers like ‘Homogenic’ where Björk no longer represents a person anymore but more a work of art herself almost as if to hint that her work and that fame she once craved is as John Updike once wrote “Like a mask that eats into the face”.

I was always aware of Björk when I was growing up but she was never a main focus for me because I was too young to be able to explore her art. Out of curiosity I bought her ‘Greatest hits’ which of course is actually more of a fan driven selection of must hear tracks. I was blown away by how much differing emotion there was! It was like an adventure not just of emotions, but the fun of trying to understand and deconstruct what Björk is trying to teach us. This album instantly inspired me to seek out the seperate albums which in their own right have so much to offer.

Björk is like no musician I have ever heard before, she has a style about her that has been widely borrowed from but has never been matched. You could make the assumption that Lady Gaga was inspired by Björk simply based on how she dresses up provocatively but musically the styles are very different. I also find Björk very unsettling and I think she played on this ideal at some points. 

Björk is not afraid to be sexual in her performances, she pokes fun at the concept in some works and lovingly uplifts it in others. Björk herself has a very childlike persona, Thom Yorke of radiohead loves Björk and when describimg her he said “her voice is very sexual but at the same time childish, she has a lot of power in her voice but you’re not afraid that it will do damage” her screeches are very much like a misbehaved child but she sometimes gets to points where she is just making noises and using her voice like an instrument, the sound she produces is beautiful.

Björk seems to be in control of her creative freedoms which is refreshing too. A notable point is that “Oh so quiet” has been one of her largest hits but this is a cover of a 50s song and the music video directed by Spike Jonze was a homage to old musicals. This song does stand out like a sore thumb on the album, but to me this feels like Björk showing us she can add something to any genre no matter how detached it is from her regular stomping grounds. Björk isn’t after fame, she is after creating something worthwhile, which is why this track felt more like an attention grabber!
Björk seems to breathe life into genres that she touches. Take the Sugarcubes for example, which were the band that she originally started in as a young adult, (if you don’t count when she was a child star producing traditional asian songs). The Sugarcubes were full of angst and punk style ‘fuck you’ lyrics. The band are very tongue in cheek and are great fun to explore but one song on that album “Birthday” became a gigantic hit in the UK when John Peel brought it to the radios as an imported track. Bjork shows off her incredibly vocal dynamics in this song and has impeccable accuracy when it comes to hitting ranges. Dance, electronica, hip hop, house, jazz, jungle, trip hop, they have all been inspired by her and she has dipped her toe into a variety of genres. Björk seems to forge new genres and blurs the lines between them, this is possibly down to the avant garte underground music in which she takes root. Björk is clearly not afraid to experiment, and this is what makes her music exciting.

Björk carries with her a great sense of humour and I particular love her appreciation of animator John K and particular 90s cartoon Ren and Stimpy. Björk had John K animate one of her music videos ‘I miss you’ which is very strange but great fun.

One of the rather sad things about Björk is that to date I have never met anyone who has listened to her music! I have tried to show her to people but they never have the urge to explore her music like I do. As much as it’s a shame it is a pleasure that I have had the chance to experience the beauty she brings to her work.
If you have any interesting points or would like to share favourite songs and what they mean to you please let me know.

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